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For the Chinese-Canadian businessman, see. Michael Ching born September 29, 1958 is an American composer, conductor, and music administrator. A prolific and eclectic composer, he is best known nationally as the composer of innovative operas, including his a cappella adaptation of Shakespeare's 2011. His other major operas include Buoso's Ghost 1996 , Corps of Discovery 2003 , Slaying the Dragon 2012 , Speed Dating Tonight! He has also written the librettos of a number of his own operas. Michael Ching was born in 1958 in , Hawaii. Before he was one year old his family left Honolulu, and he grew up in and. His father was an accomplished amateur pianist and a college professor in theater and speech. He wanted to go into music but his family discouraged him. In addition, he studied flute, violin, and oboe, mostly for the sake of composition. He started composing as a child, and by the time he reached high school he had studied composition at and also had private composition instruction. He attended on a composition scholarship, studying with and. He graduated in 1980, and his senior project was a one-act opera retelling a vampire story set in New Orleans, which received a small performance at Duke. Ching began his career as a National Opera Institute apprentice 1980—1981 at the , where he was involved in the company's productions and continued his composition studies with composer. He subsequently held conductor and executive director positions at venues including Texas Opera Theatre, , and Triangle Music Theater. In 1989 he was appointed Assistant to the General Director of. He was subsequently the company's Associate Artistic Director from 1991 through mid 1992. In 1992 Ching joined as Artistic Director, a position he held through 2010. He was the opera's General Director for most of those years as well. He left Opera Memphis for Iowa in the spring of 2010 when his wife Barbara, a university professor and a native Iowan, was named chair of the English department at. The time was right and the job came through. He was Music Director of Nickel City Opera in from 2012—2017, and he has been Music Director of Amarillo Opera in since September 2016. Ching's Piano Concerto, commissioned by the San Jose Chamber Orchestra, had its well-received premiere in 1997. When it was finished, the crowd rose in a spontaneous ovation. The San Jose Chamber Orchestra subsequently also commissioned and premiered his Psyche and Eros, a 45-minute composition for narrator and string orchestra, written in collaboration with storyteller Margaret Wolfson, in 2000. Ching is a gifted composer capable of turning out well-crafted music, very romantic when the occasion dictates and frightening when that is called for. Ching speaks music so well that he accommodates the text without a stumble.... Ching might well be tempted to craft a concert suite without the transitional material. Operas 1985—1999 Ching is best known for his operas. He provided his own libretti for his first two operas: Levees 1980 , a New Orleans vampire story performed at Duke University; and Cocks Must Crow 1985 , based on a short story and performed at Greater Miami Opera. It premiered in June 1985 at 's Texas Opera Theater, and subsequent venues included South Street Theater in in October 1985. It contains an eclectic blend of musical styles from opera to rock 'n' roll, pop music, and Broadway-type tunes, and the libretto is by Sandra Bernhard. Beginning in 1993, Ching wrote two related one-act operas with songwriter. The first, King of the Clouds 1993 , deals with alcoholism and broken families, and the second, Out of the Rain 1998 , explores contemporary topics such as social pressure, teen suicide, and AIDS. King of the Clouds was commissioned and premiered by , and Out of the Rain was commissioned jointly by , the Kansas City Lyric Opera, and , and premiered by Opera Delaware. Both operas, separately and together, have received numerous productions, including high-school productions. Ching's opera Buoso's Ghost is a comedic sequel to 's one-act comic opera. It had its first full staging with the in 1996, and its official premiere at Opera Memphis in 1997. Starting where Gianni Schicchi ends, the new opera, with a libretto by the composer, opens with Schicchi 's final chords and carries the plot forward by following the sinister dealings of Buoso Donati's family, who apparently had poisoned Buoso, and the continued machinations of Schicchi, who tries to exploit this growing suspicion on his part. The vocal writing is expert, the orchestration light enough to allow the singers to project the text clearly. Buoso is charming and unpretentious.... The score subtly introduces brief tongue-in-cheek quotations from other works, ranging from Mozart to Sondheim, plus one unmistakable interjection of Shostakovich. Ching also supplied his own libretto to his one-act opera Faith, based on the short story of the same title by award-winning science-fiction author. The opera follows the story of the titular character, a divorced and depressed woman who meets a man via a personal ad, discovers he talks to plants, and begins to fall in love again. This man transformed my piece into something equally, if not more, wonderful. The principal roles are ; ; ; interpreter ; , a slave and full member of the corps; ; and John Potts, a German-born older member of the corps. Act 1 of the opera was performed in 2002 at in and at the. The full work had its world premiere in May 2003. In addition to full productions at the University of Missouri, Opera Memphis, 's 2003 convention, , , and elsewhere, Ching also toured the piece with Fargo-Moorhead Opera, using a piano and violin as accompaniment, throughout North Dakota, including some of the locations the expedition stopped at. The inspiration for the work came when he was invited to become the vocal coach for DeltaCappella, a contemporary a cappella group founded in Memphis in 2007. There was something jaw-droppingly giddy about the whole enterprise. With no reeds, no mouthpieces, no strings, no sticks, the variety of sounds they were capable of making was virtually unlimited. By the end of my first rehearsal with them I was hooked and eager to apply this new sonic palette to opera. Many people love Porgy, but nobody ever tries to write an opera like it. I wanted to write accessible and tuneful music, yet very modern. It was also performed at OperaHub in in 2012. The voicestra gives the opera an added human dimension.... Slaying the Dragon, Ching's fact-based 2012 opera, explores intolerance and redemption, and was inspired by the 1990s true story by Kathryn Watterson. The two-act opera's libretto is by , and it was premiered in June 2012 by 's , which commissioned the work. The opera is the story of a whose life is transformed by the friendship and kindness of a local rabbi and his wife. The man renounces his Klan association and begins to speak out publicly for tolerance; his terminal illness eventually incapacitates him and he moves into the rabbi's home, converting to Judaism before dying. Ching supplied his own libretto for the piece, and the opera for up to 45 singers or more can be adapted for varying numbers of singers, voice types, gender ratios, and length of time, by cutting, re-ordering, or transposing the keys of the vignettes. Ching next composed and wrote the libretto for the opera Alice Ryley, a fact-based ghost story based on the title character also spelled Alice Riley , a woman who was hanged in in the 1730s. The opera was commissioned by the , via the , in October 2014, and premiered on Halloween Eve, October 30, 2015. In 2017 he premiered Anna Hunter, the Spirit of Savannah, another opera commissioned by the Savannah VOICE Festival. It is a one-act opera about historic preservation in 1950s' Savannah, and Ching wrote his own libretto. Central Opera Service Bulletin. Retrieved October 8, 2017. Retrieved October 8, 2017. Retrieved October 8, 2017. Retrieved September 27, 2017. Retrieved October 9, 2017. Accessed August 12, 2014. Stanford University Library Holdings. San Francisco Classical Voice. Retrieved October 8, 2017. Harmonie Park Press, 1992. Retrieved October 8, 2017. Accessed September 3, 2014. Accessed March 6, 2016. Presented at: Hong Kong Composers' Guild. Summary of article by Candy Williams, , February 16, 1996. Retrieved October 8, 2017. Retrieved October 8, 2017. Retrieved October 8, 2017. August 31 — September 4, 2000. Retrieved October 8, 2017. Accessed August 30, 2014. Accessed September 3, 2014. Classical Voice of North Carolina CVNC. A Midsummer Night's Dream — Opera A Cappella. Retrieved October 8, 2017. Retrieved October 9, 2017. Retrieved October 9, 2017. Accessed September 3, 2014. Accessed April 8, 2011. Retrieved November 30, 2017. Retrieved October 9, 2017. Retrieved October 9, 2017. Retrieved July 22, 2016. Retrieved July 14, 2015.
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